Early Experimentation | Portraits

“Jamillah In Waiting #1” |1993 


 

During these years I really wanted to understand what portraiture meant to me. My friends and family became my subjects, in both formal and candid sessions. It would be at least another decade before I pursue an

 intentional study of the history of photography and the lives and works of specific photographers. Nonetheless, I can say in retrospect, I was heavily influenced by the work of Roy DeCarava, Herb Ritts, Sally Mann, and Pierre Verger. These were photographers, I would later learn, whose work I had pulled from magazines, purchased on postcards, browsed in photo books and bookstores, and seen in other settings. When I look at the work I was creating, largely intuitively at this point, yet still guided by my informal study of photographic principles, I see the work of these and other artists reflected in my efforts. I was chasing after the light and the feeling that I got from their photographs. I was searching for the texture and the magic that I felt while looking at them. I wanted nothing more than to feel the same way when I looked at my own work.

“Demarcus” | 1998

“Jinx” | 1996

“Shani By Window” | 1993

“Seti-Ra” | 1993

“Monifa, Lauderdale Breeze” | 1994

“1540:Golda” | 1998

“Jamillah In Waiting #4” | 1994

“Ibi In Tree” | 1997

“1540:Inye” | 1999

“1540:Jamillah” | 1999

“1540:Harriett” | 1999

“Physent” | 1995

“Scorpio” | 1994

“1364:Inye” | 1993

“Adrienne:Afro” | 1994

“Mamadou:Green Enterprises #3 & #4” | 1997

“Mamadou:Green Enterprises #1” | 1997

“Tonye:Sadie:Green Enterprises” | 1997

“Yirim:Frank:Green Enterprises” | 1997

“Frank:Green Enterprises” | 1997